May 23, · Take your improv skills to the next level as Toby Pitman shows you 10 scales you can play over a dominant 7 chord for greater melodic variation. This article includes audio examples too! When you're improvising, it’s good to have options. The Lydian Dominant scale is actually the 4th mode of the Melodic Minor scale. Works great over a 7 Author: Toby Pitman. Apr 03, · The Fundamental Scales to Play over a Minor Key. April 3, so they fit perfectly over the Am chord progressions. A Minor Pentatonic Scale. The Pentatonic scale is the easiest and most effective scale to play over a minor key and is capable of beautiful bluesy, dark and soulful sounds. The scale is widely used in pop, rock, blues and other. The X scale over Y chord approach is a very common way to teach Jazz improvisation, thinking of each chord as a basis for a single scale. The other side, what I call "folk" improvisation is to play in the scale of the piece's key. Since the I IV V contains all the scale notes, one chord's main notes becomes another chord's leading and passing. Sep 18, · I wouldn’t worry about thinking overly precise about this sort of thing. So much of what people say about scales that fit chords is based on so-called harmonic avoid notes. These are notes that are a half step above a chord tone. Since so much of. Nov 11, · The Major Pentatonic scale is the easiest and most effective scale to play over a major key and delivers an uplifting blues country sound. The scale is widely used in pop, classic rock, blues, country and other styles of music. For example, if you see a dominant 7th chord, you know right away that you can play a Mixolydian scale over that. And over a minor 7th chord, you can play Dorian, Phrygian, or Aeolian, and so on. Which of those you choose to play is an artistic decision you'll have to make at the time and will depend largely on the key and other chords around it. Apr 10, · Autoplay When autoplay is enabled, a suggested video will automatically play next. Up next How to Solo over ANY CHORD Using the Pentatonic Scale - Steve Stine Guitar Lesson - . Jan 27, · A V7 sus chord, is basically a V7 chord without the third in the voicing, but the third is still a part of that tonality. You can actually use a lot of the same language that you would play over dominant, major or minor sounds. Take a D7 sus for instance, over this one sound you can think in three different modalities; major, minor, or dominant.
Now I get why modes are useful. Taking the 5th out doesn't actually do any harm as the 3, b7 are doing all the heavy lifting when it comes to the 'Dominant' sound. When I was first learning to solo I tried to find a scale that would fit the key or progression. To be able to improvise over a major key you also need a major type scale. When all that is coming more naturally, and there's less thinking involved, expand each chord. Leave a Reply Cancel reply Your email address will not be published. Thanks mate!
You'll get free content that is exclusive to my newsletter subscribers! If you have a question, just send an email using my contact page. The notes surrounding the root of your next chord will resolve to that root. To transform your relative minor scale into a relative minor pentatonic, you should remove the second and sixth tones from your relative minor scale. Dominant Chords. Modes are made for soloing over chords. Speaking of which, if you take out all the B's and F's from the keys of C, F, and G, you get a 5-note scale.